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I I’m not sure if “enjoy” is related to watching “The Handmaid’s Tale” (Channel 4). At different points in the past three seasons, this was either a painful and difficult journey or an extremely painful one. But in the best case, this is an impressive creative drama, pushing unfamiliar buttons with superb skill.It has a magnificent, unforgettable first season, and it sticks to the plot to a large extent Margaret Atwood’s classic novels, But then it struggled under the weight of its own pain. Joan (Elizabeth Moss) escapes from Gilead and is captured indefinitely. It feels like a terrible hall of mirrors, in which hope is meaningless. This makes me wonder if it makes no sense to continue watching. But turning to global politics gave it new life, and continued to explore new areas in the fourth quarter. It needs it, and it works.
The lengthy review at the beginning is useful, Given the pandemic delayed production. According to its producer, Bruce Miller, the logistics of filming in Canada also had a direct impact on the shaping of the story. In June, a group of rebels was organized to bring together the underground network of Masha and the Handmaid, smuggling 86 children out of Gilead and saving their lives under the cruel regime. The Watfords have been arrested and imprisoned by the Canadian government, but at the end of the third season, it looks like June may be out of luck.Nevertheless, without her, this is the story of the handmaid, not the This The handmaid’s story. If the question is how much a woman can tolerate, then the answer will soon appear: Janine did not use anesthetics and burned June’s abdomen shotgun wound with hot poker. Welcome to the fourth season.
Moss portrays Joan’s transformation from a victim of the regime to Budika, a rebellious maid, with all the expertise you might expect from such a good actor. She is very good at showing the impact of pain on the character with minimal movements and gestures. In the opening episode, Joan was seriously injured and nearly killed during the trip to the Mayday Safe House in Massachusetts. When she recovered, wondering if hiding in a semi-pleasing rural farm might be the freest place she could find now, she met a 14-year-old wife named Mrs. Case. For a while, this young man seemed to be a crazy monarch type, a Joffrey monster, and his sympathetic attitude towards the rebels was unbelievable. But soon, the truth about her was revealed that, like everyone in this series, she really suffered and pinned all her hopes on June and May.
Those who insist on using “The Handmaid’s Tale” will know that this is an unstable state at best. But June has become a very different person from Ofred in the early episodes, and has taken on some of the cruel behaviors given to her. It can be said that I agree with Gilead’s participation, because Mrs. Case and Joan have become a kind of mother-daughter revenge team, although this sounds more cartoonish than it actually is. “To be honest, I’m a little scared of her,” Mr. Case said, a drunk old man, a mess. “You should be,” Joan said, and he considered picking up the knife to deal with him himself. This is not particularly subtle, but it must be satisfying to see Mrs. Case seeking revenge. Then it added a subtle note, anyway: is cruelty reasonable? This is an unresolved issue, not laborious, just staying and wandering.
Equally satisfying is the moment when the Watfords discovered that Joan was responsible for bringing the children to Toronto. “This will trigger a war,” Joseph Fiennes’ commander Watford warned that even in captivity, he was still as slippery as before. Aunt Lydia (Ann Dodd) desperately wants to reunite with Joan. She is beaten and imprisoned by a council. Handforth Parish Council It seems calm, although Gilead’s weakening strength (and her need to stay in the story) means that she will soon return to her post.Fans of Will, AtwoodAfter “The Handmaid’s Tale”, you will definitely wonder if some of Aunt Lydia’s stories will begin to appear.
This is still a grand, bold, and rugged performance. It was shot like a music video, full of expensive classic songs by Carol King and Aretha Franklin, and set creepy scenes. To be precise, it was never style trumps substance, but for a while, it was difficult to like a drama that only produced pain and pain. Fortunately, June’s adventure in the land of rebellion reignited the spark and provided the audience with something to support. However, after experiencing all this pain, the tension now lies in figuring out what kind of heroine we have left behind.
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