[ad_1]
Derrickson provides the example of Jack Nicholson Iconic scene exist Few good peopleInitially, Nicholson’s frame was wide enough so that you could see the top of his head, but when the camera cut to the point where he spoke, “You can’t handle the truth!” The bullet was too close to the top of his head. It focused its attention on his intense facial expressions.
As an added bonus, the thick lines on his forehead that intersect the edge of the frame accentuate the parallel horizontal lines of his eyebrows, shoulders, and even puckered lips. In a wider lens, you can see the curvature of his head, but in this laser-focused lens, Nicholson’s frame is stiff and sharp to accentuate his rough lines.
I added a red bar to indicate how much space a higher aspect ratio might reduce. Although this may be good, the extra space will make the wider lens feel more empty. This will only turn off the enhancement effect when the camera comes in. Coulson’s face filled the screen. As with all other film production tools, the aspect ratio chosen by the director can have a dramatic effect on the feel of the film.
Change shape
In many film history, choosing the aspect ratio is a once and for all choice. The entire movie must be distributed in a single-size frame, even if some movies are shot with multiple aspect ratios in mind for different editing, such as theater and home distribution. But recently, watching movies that change aspect ratios has become quite common—even letting the audience decide for themselves.
“I remember the first movie that switched between 2.40 and 1.9 in IMAX was dark Knight,” Derrickson said. In that movie, many of the biggest action scenes Shoot at a higher aspect ratio, Leaving more vertical space within the frame. In the theater, the movie switches between them, usually without the audience-even the professionals-noticing. “It’s worth noting that I didn’t even notice this shift because 2.40 on that huge screen is still so big.”
Derrickson’s own superhero movie, Doctor Strange, And similar techniques are used in many of its action scenes.Although Derrickson initially Clarify on twitter The IMAX scene was not filmed for home viewing. He told me, “I recently watched the IMAX 3D version on my 55-inch TV screen. I think the switching is more obvious, but the power of opening up the frame is better for home viewers. It works well to provide a significantly larger main set image.”
More movies are also experimenting with unusual aspect ratios.Joel Cohen The tragedy of Macbeth Shoot in black and white at a high ratio of 1.33:1.And movies in 2019 lighthouse It becomes even higher at a ratio of 1.19:1 to evoke the classic look of a box camera in the 1890s.
Now, shooting and distributing movies in various aspect ratios is easier than ever, and you may find that the movie you are watching is more shaped around the story being told, rather than confined to a frame. You may even have some agents in this selection.
More exciting connection stories
[ad_2]
Source link
