Not every character needs an origin story

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In 1990 Christmas classic At home alone, A little boy repelled the wet bandits. The motivation of these two cartoon thieves was nothing but greed and desire to name the movie in the movie. The sinister sound of golden teeth gleaming. Three years later, Sweet home alone, A restarted version of the story played on Disney+, saw a young boy fighting another pair of thieves-struggling parents Pam and Jeff McKenzie, they just wanted to get back a priceless stolen from them Dolls so they don’t go bankrupt financially and be forced to sell their home.

The exact reason is not yet known Sweet home alone Writers believe that thieves can no longer simply become thieves, but they follow the precedent that has been firmly established in the past few years.Last summer, the audience learned that when Disney’s Crura Revealed the notorious 101 Dalmatians Villains and dogs have a difficult history. (This movie’s spoiler alert, but also spoiled everything good, decent, and right: they killed her mom.) Netflix 2020 series ratchet Also explored the origin A flying over the cuckoo’s nestThe bitter, twisted villain Nurse Ratched portrays her as a victim of child abuse.

Where will this trend end? At infinity. Toy Story Prequel Light years It will fall next summer; this animated film tells the story of the human astronaut Buzz Lightyear, which means that toys are no longer just toys. Everyone—whether made of plastic or dressed in animal skins—now needs a complex, emotional, and psychological background story, whether it is presented in a long original story, a prequel, or a restarted hard plot. It is confusing at best, and cheap at worst.

The reason why studios produce prequels and spin-offs is obvious: they are an easy way to profit from popular intellectual property and capitalize on existing fan bases.Although I rolled my eyes instinctively Light years, I also know I might go check it out-it’s hard to resist the next (or previous) chapter in the nearly 30-year-old beloved franchise.But the obsession with the backstory means that no matter where you look, the writer is adding depth to characters that really, really don’t need depth: while watching Sweet home aloneWhen a desperate mother turns into a thief whose feet are lit and lie down in failure, sobbing in the snow, should we cheer?

Believe it or not, as early as 2009, Geek’s Lair Published an article and asked if it was “It’s time to get rid of the obsession with prequels and origin stories.“This 12-year-old foresighted tome clearly reveals how long we have been controlled by Big Backstory-it laments “darkness and misery.” X-Men Origin: Wolverine And lead to Rise of Hannibal with Underworld 3. But this article was written five years before Disney debuted sleeping Beauty Prequel Maleficent, This film opened the studio’s obsession with re-examining its retro villain. In 2019, DC Films gave us clown, Illumination will introduce to us next year despicable MeAntihero Minions: The Rise of Gelug. In 2023, music film Wonka You will see Timothée Chalamet portray the past of everyone’s favorite chocolate factory owner. We have a deep understanding of the origin story era, and this obsession is permeating the backstory we provide for other completely straightforward villains.

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