How Bloghouse’s Sweaty, Neon Rule Unites the Internet

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I have a lot of space Music fans’ introduction to the new landscape of social media. In the 5 years since its inception in 2003, the site is the most visited social network in the world and the first popular platform for musicians and would-be live celebrities to build a following. On Myspace Music, artists can upload tracks, connect with fans and control their brands. free.

On Myspace, musicians can be weirder and more personal than on the lining notes of an album or on a major label’s website. Creating an interesting profile is a free growth technique that ensures fans share an artist’s music with millions of other potential fans. It offends you, doesn’t it? Drummer Rob Bloomfield said of the group: “The stupid name combined with the erotic miniskirt lolita hentai avatar we use means thousands of people take it offense to you, don’t they? In their first 8 friends Medium.” The industry was quick to call, hoping to monetize the digital middle finger of the entire internet through the band.

Myspace knows its platform is making and breaking careers. The company built some features to keep the momentum going, but it’s the users who are really driving things forward. A generation of kids are customizing their profile layouts with HTML, adding a line of code to trigger songs to play automatically. The ability to tie a song directly to your personality turns into a geeky cool battle that brings an immeasurable amount of free publicity to the artist.

“Your kids become PR people for you for free,” said Isaac Walter, a former A&R at Myspace Records. “You have an editorial side that does nothing but promote music just to produce more musicians. , more points – you have record labels, which is the worst because they’re in a crisis of not selling any records.” Myspace is turning DJs into stars popular enough to get record deals, but they The question of how to make money from music outside of touring still hasn’t been resolved.

Australian electronic duo Bag Raiders credit the platform for their early success: “We did a remix for the band — our friends — Valentinos, and then all of a sudden, these dudes from Kitsuné in Paris were on Myspace Messaged us.” Placing on the Kitsuné mixtape (available for free online download) is a quick ticket to Myspace hype, better bookings, and remixes by other artists on the tour.

Bag Raiders’ success story isn’t an anomaly: uploading tracks to Myspace as a form of free promotion quickly became the norm, from bands to DJs to rappers. “I remember one year we were doing tours in Australia and I would book ads in actual street media. Literally a year later we just sold out by telling our Myspace friends about their tour. It changed very fast,” said Julian Hamilton of Presets.

As traditional media barriers around embargoes, press releases, and label-made marketing pushes are being dismantled by teen bloggers around the world, music critics have naturally lost their footing, too. “Rolling Stones It doesn’t matter anymore because now there is Pitchfork.Of course, the pitchfork has become the new Rolling Stones, but for a while it seemed exciting and fresh, like the world had really changed,” Hamilton said.

This brief moment in music history cannot be replicated today. On the one hand, crunchy, MP3– Bitrate sounds don’t fly now, and after so many years of proliferation of digital content, it doesn’t write for free. Perhaps more importantly, the life cycle of a song is impossible in the bloghouse generation. “The whole reason why that moment happened and dance music in general was world-class was remix culture and reinterpretation. Much of it was mash-ups or unofficial remixes that were beyond the law,” said Diplo, Justice and Fool’s Gold Records, among others The client’s publicist, Clayton Blaha, said.

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