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Fantasy writer Jiango Wexler He is a lifelong fan of Star Wars and has always wanted to write a story with that universe as the background. When his short story “Amara Kyle TIE Fighter Pilot Survival (Probably)” appeared in the anthology last year, he got his wish. The Empire Strikes Back: From a Certain Angle.
“The idea is to show the point of view of characters who are not the main characters in these movies,” Wexler said in episode 474. Geek Galaxy Guide podcast. “I’m really happy to be involved. This is a very interesting challenge.”
Wexler’s story focuses on the lives of TIE fighter pilots, who are often seen as faceless cannon fodder in Star Wars movies. “I really entered X-wing mini game-This is just the X-wings vs. TIE fighter game you play on the desktop-and it has expanded a bit of knowledge, so I want to explore it in a short story,” Wexler said. “So when they told I’m from The Empire Strikes Back, This is the TIE fighter pilot story I came up with. “
The film portrays TIE fighters as extremely reckless, frequently sneaking into narrow spaces and colliding with asteroids and cruisers. This makes Wexler believe that TIE fighter pilots must be strongly promoted. He said: “I really want to create from the perspective of someone who has seen this through and completed this nonsense.” “So her rules are very important, “If you want to complete the task, let other people become flying.” People who enter the asteroid.'”
Wexler hopes that his story will make viewers think about the fact that most TIE fighter pilots may be unfortunate candidates, and their families love them. “No one really wants to be reminded that the people who are shot, kicked, or thrown off the bridge in these action movies are all human beings,” he said. “That’s why when the rebels attack the Death Star, we can see the faces of all the rebels, and the TIE fighters wear masks. This way we can have this illusion of non-consequential violence.”
Listen to the full interview with Django Wexler in episode 474 Geek Galaxy Guide (the above). And check out some of the highlights in the discussion below.
Django Wexler on the novella:
“Tor.com I have done amazing work in the field of novellas. One day it is really one of my ambitions to write a novella for them, because there are so many-Martha Wells Killer Robot Diary And Seanan McGuire’s Wayward child Series; there is a great call Lord of Gurkha and Tuesday, This is what I like-and it continues. They have finished all these great novellas. …Basically an e-book. The problem is that you can’t price a real book at $2.99 and keep the bookstore in stock-it’s not worth their time. Conversely, you cannot price a novella at $12 and expect to sell that many copies. Therefore, the emergence of e-books changed its basic economics and made it possible. “
Django Wexler talks about magic:
“Many of the magic systems in the harder fantasy works-and most of what I write are of the’hard’ magic system type of stuff-do have a tendency to be computerized, sometimes more explicit than others. … …In my first fantasy series, Shadow movementOne thing it explores is the underlying truth of the magic system. I solved this problem in a vague way, but all the different cultures that come into contact with it and learn to manipulate it do this to what it is and how it is. Those who work have different ideas. For whatever reason, it feels like a very computerized concept to me. You have this underlying reality, but reality is also defined by how people use it. “
Jiango Wexler Asimov’s magazine:
“The first story I wrote—I wrote it when I was 15—I wrote it, I showed it to my dad, and he thought it was really great. What he said to me was,’You know when When you do something, we often tell you that it’s good because we love you, do we want to support you? I said,’Yes, I understand. He was like,’Well, this is not like that. I think this It’s really good. Anyway, we send it to Asimov’s But they didn’t accept it, it might be the best in retrospect.But it consolidated Asimov’s As This For me, the market of science fiction is not inferior to other magazines, but that is what I have read. So finally being able to sell something to them is definitely an achievement. “
Django Wexler about his short story “REAL”:
“The life that that person started is Sailor Moon Fan fiction. This is a story I wrote in the era of fan fiction. I should say that no words in fan fiction have become this story, because I just sat down and wrote it again. …This is about a person in the real world seeing a game/TV show that he thinks has penetrated the real world. But the basic concept and ending tingling come from that old story. I generalized it a bit, so it’s actually no longer based on any specific novel work. So this is a good example of reusing an old story. I hope I haven’t even copied any text from one file to another, but instead cracked a concept again and made it better, I hope. “
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